Statement

My practice explores the intersections of form, texture, structure, and materiality through the processes of making. It examines how shifts in materials and techniques can transform outcomes, revealing unexpected possibilities and emphasising the evolving relationship between maker, medium, and meaning.​

Using textiles as my primary medium allows for a sensory and process-oriented practice that invites both physical and conceptual engagement. This enables an exploration of tension, balance, and transformation. The repetitive processes of textile-making mirror natural cycles, allowing themes of interconnectedness and organic development to emerge.​​

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This all stems from a fascination with the relationship between chaos and order— two forces that are not opposites but interconnected entities in constant interplay. Rather than existing in isolation, they intertwine, influence, and depend on one another, forming a dynamic tension and a subtle, unspoken conversation between them. I explore this relationship through both the conceptual framework and the material outcomes. Much of my work is guided by chaos theories, the work draws on patterns and geometric forms linked to both astronomical and biological phenomena.​

The act of making is central, rooted in repetition, rhythm, and habit. Each piece is created through a slow, deliberate approach, where patterns shift and develop over time. The meditative quality of repetition allows for a sense of contemplation, creating a dialogue between intention and material response. 

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Throughout my work I am always aiming to source the materials sustainably where i can—utilising using scrap and second-hand materials. ​